Projects

 

All Time Low - Dear Maria Count Me In

Dusted off the MA this week to work on an entry for The Ruby Stage Previz Contest from @squeeklights. Their team provided a rig made up of equipment from @chauvet_pro, @elationprofessional, @germanlightproducts, and #megalight. We set it to music from @alltimelow on our @ma_lighting_international command wing played through Qlab from @figure53.

The White Panda - Fireking (Years & Years // Galantis)

  • 1 - MA3 Light (Running Mode 2)

  • 1 - MA2 3D Render PC

  • 180 - Robe Mega Pointe

  • 84 - Martin Mac Aura XB

  • 22 - Robe BMFL Wash Beam

  • 17 - Solaris Flare Q+ LR

This is the second installment of Innovative Intensity's #MaMondays where we endeavor to deliver a new piece of previz every week spanning all genres and scopes of production.

 
 

Krewella - Live For the Night

  • 1 - MA3 Light (Running Mode 2)

  • 1 - Render PC Running Capture 2020

  • 66x - ChromaQ Color Force II 72

  • 33x - GLP X4 L 26x - Clay Paky Mythos 2

  • 10x - Clay Paky Super Sharpy 2

  • 11x - Robe Mega Pointe

  • 5x - Robe BMFL Spot

  • 18x - Solaris Rayzr

    7x - Skywriter HPX MF-20

The third edition of Innovative Intensity's #MaMondays was a result of XLaser's XLERATE design competition. We were challenged to incorporate lasers into our programming utilizing the XLERATE software.

Lady A - You Look Good

  • 1 - MA3 Light (Running Mode 2)

  • 1 - Render PC Running MA 3D

  • 92x - Martin Quantum Wash

  • 20x - PRG Best Boy HP

  • 11x - Robe Robin BMFL Blade

  • 122x - Robe Mega Pointe

  • 33x - Solaris Flare 16x - Solaris Flare Q+ LR

After a couple weeks hiatus, we are back with week six of Innovative Intensity's #MaMondays. This time heading back to 2017 to tackle Lady A's hit "You Look Good". This week's challenge saw us incorporating camera moves into our 3D rendering process.

 
 

Taylor Swift - Style/Love Story/You Belong With Me

  • 1 - MA3 Light (Running Mode 2)

  • 1 - MA2 3D Render PC

  • 230x - Ayrton Ghibli

  • 54x - Ayrton Mistral

  • 54x - Ayrton Magic Blade FX

Originally designed as a submission to the 2020 Ayrton Boredom Buster Project, this is the first in Innovative Intensity's Series of #MaMondays. We'll endeavor to deliver a new piece of previz every week spanning all genres and scopes of production.

Payson Lewis - Nothing To You (R90 Lighting Contest Winner)

We are proud to announce our submission was selected as the winner in R90 Lighting's "EXTREME REALISM PRE-VIZ CONTEST" in both the performance and paperwork category! Check out their write up below to see more about the contest and view other submissions: http://r90lighting.com/extreme-realis...

  • 1 - MA3 Light (Running Mode 2)

  • 1 - Render PC Running Capture 2020

  • 14x - Martin Mac Aura XB

  • 31x - Chauvet MK1 Hybrid

  • 16x - Clay Paky Sharpy Beam

  • 42x - Showtec Active Sunstrip MKII

  • 16x - Chauvet Nexus 4x4

  • 5x - ETC Source Four 26°

The fourth edition of Innovative Intensity's #MaMondays is an entry into R90 Lighting's "EXTREME REALISM PRE-VIZ CONTEST". This contest provided us with a variety of budgetary and real world parameters in the process of creating the pre-viz. We partnered with Payson Lewis who was kind enough to let us use his new track - https://open.spotify.com/track/6CYFx1...

 
 

Boys Like Girls - Love Drunk

  • 1 - MA3 Light (Running Mode 2)

  • 1 - Render PC Running Capture 2020

  • 55x - Martin Mac Aura XB

  • 38x - Chauvet MK1 Hybrid

  • 20x - Clay Paky Mythos

  • 27x - Showtec Active Sunstrip MKII

  • 6x - ETC Source Four 19°

Week five of Innovative Intensity's #MaMondays takes us back a decade with Boys Like Girls' smash hit "Love Drunk". For this week we tried to limit ourselves to a single day of console work.

Our process included creating a comprehensive concert stage and lighting design concept. Built in Vectorworks 2020 and ported over to Capture Sweeden's Capture 2020 software for previz. The lighting was then programmed on a MA3 running Mode 2 from 4Wall Entertainment. Timecode and audio were triggered by Qlab from Figure 53. This same process can easily be applied to any scale of Stage Lighting Design, Theatrical Lighting Design, Concert Set Design, Concert Stage Design or Stage Lighting for Churches.